By James Eli Adams
Incorporating a large variety of up to date scholarship, A heritage of Victorian Literature provides an summary of the literature produced in nice Britain among 1830 and 1900, with clean attention of either significant figures and a few of the era's much less typical authors. a part of the Blackwell Histories of Literature sequence, the booklet describes the advance of the Victorian literary stream and locations it inside of its cultural, social and political context.A wide-ranging narrative evaluate of literature in nice Britain among 1830 and 1900, shooting the extreme number of literary output produced in this eraAnalyzes the advance of all literary varieties in this interval - the unconventional, poetry, drama, autobiography and significant prose - at the side of significant advancements in social and highbrow historyConsiders the ways that writers engaged with new types of social accountability of their paintings, as Britain remodeled into the world's first commercial economyOffers a clean point of view at the paintings of either significant figures and a few of the era?s much less widespread authors
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Additional resources for A History of Victorian Literature (Blackwell History of Literature)
But Carlyle also saw in the trope of clothing and fashion a figure for the force of history, in particular, the incessant transformation of human beliefs and institutions. Humankind is always struggling to find adequate vesture, in Carlyle’s terms, for its beliefs – vesture which culminates in their conception of divinity. ” (Carlyle 1908: 49). The trope has a long literary history – witness King Lear – but it took on added topicality through the revolutionary sans-culottes in France, a precedent still haunting England in 1832.
In the meantime, Carlyle’s prophetic mantle offered a consolation to many over the century who shared his large ambitions: the prophet is always unappreciated in his own country. The struggle towards new forms of belief could best be understood within an emblematic personal history. Carlyle derived this insight from Goethe, whose work he translated and would influentially celebrate. In 1831 Carlyle undertook a work of his own in the broad vein of Goethe’s Wilhelm Meister, a central example of the German Bildungsroman, or novel of development.
The romantic celebration of fidelity to personal experience readily clashed with a demand for collective and public forms of moral affirmation, such as the “Prophecy” Carlyle sought. “Mariana,” offering no scope for action or change, was perfectly suited to provoke Carlyle: “If Alfred Tennyson could only make that long wail, like the winter wind, about Mariana in the Moated Grange, and could not get her to throw herself into the ditch, or could not bring her another man to relieve her ennui, he had much better have left her alone altogether” (Tennyson 1969: 49).
A History of Victorian Literature (Blackwell History of Literature) by James Eli Adams