By Mark Spencer
During this best-selling consultant to movement five, you’ll discover ways to create subtle initiatives utilizing Motion’s most modern gains. grasp coach Mark Spencer begins with the basics of movement pix and quick strikes into compositing, animation, movement images layout, visible results layout, and the realm of 3D. The ebook is absolutely revised to exploit the software’s new good points. no matter if you’re simply getting into the sector or are already an complete movement pix seasoned, this publication could have you designing in movement in checklist time. • DVD-ROM comprises lesson and media records • Focused classes take you step-by-step via real-world tasks • Accessible writing variety places professional teachers at your part • Ample illustrations assist you grasp innovations quickly • Lesson pursuits and time estimates assist you plan a while • Chapter assessment questions summarize what you’ve discovered and assist you preparefor the Apple seasoned certification examination
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Extra info for Apple Pro Training Series: Motion 5
The Object pane is context sensitive. Its name and contents change depending on what is selected. NO TE P You’ll work in all these Inspector panes in later lessons. 12 Press F1 to return to the Properties pane. Notice that you can navigate to each of these four panes by pressing the function keys F1, F2, F3, and F4. You already know that F5 opens and closes the Project pane. Leave that pane open for now. 13 Press F6 to hide the Timing pane, and then press F6 again to show it. The Timing pane contains three components: the Timeline, the Audio Timeline, and the Keyframe Editor.
The “x” in the center of the clip represents the element’s anchor point, which you can reposition. You’ll use anchor points in a later lesson. The handle coming off the right of the anchor point can be dragged for Z rotation. 5 Choose Edit > Duplicate, or press Command-D, to create a copy of the clip. 11 12 Getting Around in Motion 6 Drag the top-right transform handle down to the left. The clip changes size nonproportionally—that is, you can make it skinny or fat— which is something you often want to avoid.
Adding Effects 12 Press Command-S to save your work. OK, so far we haven’t done anything that’s too compelling, but next you’ll add filters to this project to make a more interesting composite. Adding Effects You’ll now apply effects to make your project come to life. Motion has three categories of effects: filters, behaviors, and masks. You’ll use at least one of each for this project. You’ll also try out a powerful technique, called blend modes, that lets you change the interaction between overlapping elements.
Apple Pro Training Series: Motion 5 by Mark Spencer