By Charlotte Worthington
Fundamentals Film-Making, the recent sequence from AVA Academia introduces the reader to the area of drama, documentary and cinema, making a choice on the talents and information required to have interaction with the undefined. the 1st during this sequence, generating, supplies a dynamic assessment of the realities of manufacturing movie this day; it explores the method from improvement via to post-production and distribution.
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Extra info for Basics Film-Making, Volume 1: Producing
KITCHEN (MUTE) Martha hears Alvin and Miles talking upstairs LIVINGROOM Alvin and Martha talk about taking miles fishing. (MUTE) Alvin begins to write letter. (MUTE) Alvin continues to write the letter. Martha enters with tray. (MUTE) Alvin writes the final part of the letter. UPSTAIRS HALL Martha sorts through Miles’ things BEDROOM Martha cries holding shirt/jumper. INT. HALL NYT Alvin on the phone talking COUNTRY HOUSE. 42 Max Day 8 Min Night 4 Moderate, sunshine intervals Pgs 2 I D/N / E I N 1/8 1 1 3 I N 1/8 2 1 5 I N 1/8 2 1 4 I N 2/8 1,2 1 Cast No.
Depending on the type of production the crew can vary in size from just a single camera person and sound recordist to a crew the size of a small army. Key roles that may be found in the production team include: DIRECTOR PRODUCTION MANAGER Responsible for the creative and technical realisation of the project. Organises and co-ordinates the production needs of the project. They will hire the crew and deal with employment contracts, organise equipment hire, insurances, accommodation, travel, catering and deal with day-to-day production problems.
The TV image is made up of 720 or 1,080 lines 30–31 Once the project has been edited and master tapes produced, the producer will be required to deliver or hand over the programme to the broadcaster, production company or client. It should be remembered that a broadcaster can reject a programme if the finished content does not meet the technical requirements outlined in its technical specification. The client or distributor will outline exactly what they need from the programme with the producer.
Basics Film-Making, Volume 1: Producing by Charlotte Worthington